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Five Ways to Help Win NaPlWriMo (for only three easy payments of $19.95)


By DustyWilson - Posted on 01 November 2008

Hey there everyone. I am Dusty Wilson, one of the bloggers for this run of NaPlWriMo, here to supply a hopefully helpful list of things to make his insane process easier.

1) 'Backwards and Forwards' by David Ball - This is the Playwrights' Bible. Its only about fifty pages, but it details the fundamentals of how to read a play and what makes a play work. It is very basic stuff, but it is hands down one of the most valuable resources you can have.

2) Wrist braces and Vitamin B6 - Now, assuming the internetness of NaPlWriMo, I imagine everyone will be writing at a computer for most of their process. Hence brings one of the more sinister enemies of writers: carpel tunnel syndrome. If you start to feel any sort of pain in the wrists, get the braces and take the B6. Taking B6 strengthens the wrists and combats carpel tunnel incredibly well. The pain is usually gone in about three days. You don't have to wear the braces 24 hours, but usually when you feel the pain and overnight is fine.

3) Tell the internet to go fuck itself - Procrastination is one of the best things in the entire world, but not so much when a deadline is looming. The Internet is the crystal meth of the 'fuck this shit' world. There are many times myself where I waste hours 'doing research' or 'searching for music I need to write'. Granted these are legitimate things to do, and relaxing is incredibly important to the writing process, but we all know the Internet is just waiting to take us off to Facebook or Wikipedia or the Uncensored Site of Your Choice. Just, occasionally, unplug the Internet completely

4) Make sure your computer is your friend - Now, this is the very subject that torpedoed me last year. My computer died, fairly hard. Something about a Kernal Stacking Error and a driver gone missing. So, get rid of the SpyWare, Defrag the hell out of it, find computer saavy friends and have them look over the whole thing from top to bottom. There's no feeling worse than writing something you feel great about, only to be defeated by the crap-ass standards of Dell Computers or because Vista feels like it deserves a prolonged paid vacation.

5) Don't take the 1st draft too seriously - I don't mean don't care, but just realize one of the basic tenants of playwriting: 99.9% of all first drafts are never the final draft. Very few playwrights ever stop at the first draft and call it a day and there's definitely no expectations here for anyone to do just that. The first draft is there to help you get every idea out on the page whether its good, bad, or just filler until something better comes along. Like I said, don't just blow off the first draft, but use it to take every chance and use every idea you have.

So, I hope that is all helpful. Now, I must be off to fight the Battle of the Blank First Page with my cache of music and YouTube videos of To Catch A Predator at my side. Best of luck everyone.

Peace and Pie,

Dusty Wilson

Admin Rhino's picture

Good point about the wrist pain !

Another great thing I discovered to save and help with wrist pain is the wonder of installing Work Rave on your computer. It's free and it reminds you to take breaks and stretch. You can set how often you want your break and what your daily limit of typing will be. Yikes, I've been procrastinating... I better go write NOW !

Go Rhino, go !

Dean Lundquist's picture

My mentor, the late (and great) Davey Marlin-Jones (1932-2004) gave me that book years ago.  It's pretty dog-eared now, but one of the best books ever on play analysis.  The domino effect is one of the best metaphors for understanding, writing, directing and even acting a play--or any story. 

Davey was one of the best directors I ever knew.  The thing that separated him from the rest was his love of the playwright and his profound love of the theatre.  One of the few directors I've ever met who really knew how to speak to the writer.  He had an incredible ear for rhythm and the uncanny ability to tell you what needed fixing and making you think it was your idea!

He worked extensively with Lanford Wilson, and a great many other stalwarts of the American theatre.  I mentioned him a couple of weeks ago at a drama lab over at NYU-Tisch Asia, and my fellow playwright and friend, Bill Kovascik's ears perked up.  "You know Davey?" he inquired.  "Of course!  He was my mentor," I retorted pridefully.  He then went on to tell me that years ago when he was an undergrad in New York, he saw Davey's production of Chekhov's "The Cherry Orchard."    Bill said that production changed his life--he had never seen the old Russian master's work come alive as it did in that production.  It re-invigorated his love of the theatre.  Come to find out, Bill has applied to become the head of playwrigting at UNLV in 2004, shortly after Julie Jensen left.  The only reason, Bill said, that he even considered moving to the Las Vegas desert heat was the chance to work with Davey.  "When did you meet with Davey?" I asked.  "Oh, must've been around February of '04," Bill said.  I started to tear up when I heard that.  "You know he passed away shortly after that?"  with a tremble in my voice.  "Oh God, no..." and we sat in silence for a few minutes, as we crinkled our noses, sniffed deeply and pretended to rub the non-existent dust from our eyes.  I am proud to say that there is hardly a day that goes by where I am not reminded of a lesson Davey taught me about the theatre--and about life.

One of the best little tools he taught me was an acronym for remembering dramatic structure: P.A.S.T.O.

P)reparation

A)ttack

S)truggle

T)urn

O)utcome

P.A.S.T.O.

It's a heck of a lot easier to remember than good old Aristotle!

Much love,

Dean      

 

 

Dean Lundquist
www.deanlundquist.com
UPCOMING PRODUCTIONS
The Joy of Solitude - Short+Sweet Melbourne - Nov 15-Dec 5
The Joy of Solitude - Fire Rose, North Hollywood Dec 2-4
Finger Food - Ivy Tech CC, Peru, IN - Nov 19-21
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